The slowhand blues is the most prominent technique that makes blues music what it is today. Mastering the slowhand blues will demand time, effort and focus and above all in-depth comprehension of the different blues scales and the blues notes.
Defining blues is not the simplest of things and playing it iwell s a completely different ball game. There are plenty of great blues players and guitarists in the blues hall of fame to learn from. The fact of the matter is that if you are able to master slowhand blues then who knows you might be able to create a great blues record that will take you to the hall of fame too! But then that’s just a thought right now. The main focus should be on mastering the blues scale and creating a blues backing track so that you can practice soloing using that.
When we talk about blues, you need to first learn to differentiate between different guitar techniques. You may be able to do impossibly fast runs or stretch your fingers far on the fretboard to play multiple notes but that’s not what blues is all about. There is a degree of emotion and feeling that comes with the blues scale and has been well rendered by the likes of BB King, Albert King and Eric Clapton. Eric Clapton is one of the greats who is so versatile that he can play almost all the guitar styles including acoustic or unplugged, electric, slide, fingerpicking, open tunings, among many others but his real root lies in playing slowhand blues.
Starting with Slowhand Blues
Where do you actually begin from particularly for dominating the slowhand blues? Tough question really but it depends on quite a few elements like individual influences, the specific key, finger size and special patterns that also called boxes. Each box has the notes of an octave in an arrangement that will be simple to play. Once you are comfortable with the boxes, it will help you to play along with some blues backing track. The boxes or patterns mostly highlight the places where you can bend an important note with your index finger. One of the best ways of mastering the slowhand blues is by spending more time in exploring different positions that will help you to play your strings better. Here is an example of a slowhand Blues scale: The A Blues note
I—8—10–I I—8—10–I I-7-8-9—–I I———–I I———–I I———–I
The E minor Blues scale will look like the following:
I————————-0-3-I I———————0-3—–I I—————0-2-3———I I———–0-2—————I I—–0-1-2——————-I I-0-3————————-I
The E minor pentatonic scale will be like:
I————————————-12-15-I I——————————-12-15——-I I———————-12-14-15————-I I—————-12-14———————-I I——-12-13-14—————————-I I-12-15————————————-I
A I—–0-2—————–I E I-0-3———————I
You’ll have to start with an open E-string and when you arrive at the D-string, go onto the 2nd fret, which is also an E. You are required to play both the notes simultaneously so that you will be able to hear it. To make it easier, purchase some of the blues backing track from 50blues for the same and practice with it. One more crucial thing: Never shortchange yourself by downloading any midis of blues backing tracks.
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